Die zunehmende Integration Europas hat bisher nicht zur Entstehung einer europäischen Erinnerung geführt. Zeitgleich zu ersten Versuchen wie dem Musée de l’Europe dennoch einen entsprechenden Kanon von Erzählungen zu etablieren, beobachten wir eine Renaissance nationalstaatlicher Deutungsversuche, die zunehmend von Regierungen ideologisch instrumentalisiert werden, um der Bevölkerung eine bestimmte Version der Vergangenheit zu vermitteln. Diese Strategien treffen immer wieder auf den Widerstand einzelner Gruppen.
Diese Akteure kritisieren einerseits grundsätzlich den Einfluss des Staates bei der Kreation von Erzählungen und setzen sich für ihre eigene Version des Vergangenen ein. Im Rahmen der Geschichtswerkstatt Europa werden diese Aushandlungsprozesse anhand von Diskussionen um Jubiläen, Museen und Denkmäler kritisch verfolgt und die Rolle zivilgesellschaftlicher und wissenschaftlicher Akteure reflektiert.
[alias] => monopol-staatlicher-geschichtspolitik [image] => media/themen/Minsk Museum FA.jpg [title_en] => Monopoly of state politics of history (Geschichtspolitik)? [description_en] =>The increasing integration of Europe has not so far given rise to a unified European remembrance culture. Along with the first attempts to establish a canon of narratives, by for instance the Musée de l’Europe, there has been a resurgence of state-centred interpretations, which are increasingly used as ideological instruments by governments to project to the population a particular version of history. These strategies frequently encounter resistance from individual groups.
These groups criticise the influence of the state in the creation of narratives and advance their own version of history. Geschichtswerkstatt Europa examines this process of negotiation through discussion of commemorative days, museums, memorials and the role of civil society organisations and academics.
[parentJumpTo] => 0 [parentLink] => View the item details [parentUrl] => project-details/items/Jewish_Identity_in_Socialist_Yugoslavia.html ) [3] => Array ( [id] => 9 [pid] => 3 [sorting] => 252 [tstamp] => 1248196539 [title_de] => Erinnerung und Ethnizität [description_de] =>Vor dem Zweiten Weltkrieg gehörte das Zusammenleben unterschiedlicher ethnischer Gruppen in Mittel- und Osteuropa sowohl in den Städten als auch in den Dörfern zur Normalität. Die bereits vor 1939 existierenden Konfliktlinien wurden in vielen Orten durch Genozid, Bürgerkrieg und die unterschiedlichen Besatzungspolitiken noch verschärft. Da viele dieser Linien bis in die Gegenwart führen, spielt der Zweite Weltkrieg in den europäischen Erinnerungskulturen eine zentrale Rolle als Projektionsfläche für Konflikte, aber auch für die Überwindung dieser durch Akte der Versöhnung. Die Geschichtswerkstatt Europa untersucht in exemplarischen Projekten die Repräsentation von Ethnizität an konkreten Orten in ihrer lokalen Komplexität. Dabei werden die mitteleuropäischen Mosaike nicht allein „rekonstruiert“, sondern der Prozess des erneuten Zusammensetzens hinterfragt. Darüber hinaus wird die Konstruktion von Ethnizität auf der individuellen, lebensweltlichen Ebene nachvollzogen. Deshalb wird im Rahmen der Geschichtswerkstatt Europa anhand einzelner Biographien die Bedeutung ethnischer Identitäten für die Erinnerung an das Europa jenseits der Katastrophe sowie den Einfluss dieser auf den Prozess des Erinnerns untersucht.
[alias] => erinnerung-und-ethnizitaet [image] => media/themen/Projektbild Porajmos.JPG [title_en] => Remembrance and Ethnicity [description_en] =>The coexistance of diverse ethnic groups in the towns and villages of central and eastern Europe was accepted as normal before WWII. The conflict lines which existed prior to 1939 were exacerbated in many places by genocide, civil war and various occupation policies. Since many of these lines extend to the present day, WWII is central to European remembrance cultures as the cause of conflict, as well as the opportunity for reconciliation.
Geschichtswerkstatt Europa investigates the representation of ethnicity at specific sites in its local complexity. This not only ‚reconstructs’ the mosaic of central Europe, but scrutinises the process of re-assembly, thereby tracing the construction of ethnicity on the level of individual, lived experience. Through individual biographies, Geschichtswerkstatt Europa examines the significance of ethnic identities for remembrance of Europe beyond the catastrophe of war and the influence of this on the process of remembrance.
[parentJumpTo] => 0 [parentLink] => View the item details [parentUrl] => project-details/items/Jewish_Identity_in_Socialist_Yugoslavia.html ) ) ) [methods] => Array ( [label] => Methoden, die dem Projekt zugeordnet sind [type] => tags [raw] => 1 [value] => Analyse von Erinnerungsräumen [ref] => Array ( [1] => Array ( [id] => 1 [pid] => 4 [sorting] => 128 [tstamp] => 1248196729 [title_de] => Analyse von Erinnerungsräumen [description_de] =>Geschichte hat immer eine zeitliche und eine räumliche Dimension. Während die Chronologie zu einer Grundstruktur von erzählter Geschichte geworden ist, geriet die Analyse von räumlichen Strukturen über lange Zeit ins Hintertreffen. Inspiriert von den Ideen Karl Schlögels bietet die Geschichtswerkstatt Europa einen Rahmen, um Europa als Raum neu zu vermessen und ihn gedanklich neu zusammenzufügen. Dafür sind die Exkursion und die Besichtigung der Orte selbst zu einem prägenden Element vieler Projekte geworden.
Ein wichtiges Konzept, in dem Erinnerung als Identität stiftender Prozess mit einer räumlichen Dimension verknüpft wurde, ist in den lieux de mémoire bzw. Erinnerungsorten auszumachen, die nach Pierre Nora von Hagen Schulze, Etienne François und anderen weiter entwickelt wurden. In den Projekten der Geschichtswerkstatt Europa werden europäische Kulturlandschaften nach jenen Kristallisationspunkten untersucht, die generationenübergreifend eine starkes Potenzial zur Schaffung kollektiver Identität aufweisen.
[alias] => analyse-von-erinnerungsraeumen [image] => media/methoden/Kuestrin Obelisk Aufnahme BV.JPG [title_en] => Analysis of sites of remembrance [description_en] =>History always has both a temporal and a spatial dimension. As chronology has become the fundamental structure of narrated history, the analysis of spatial structures has long been neglected. Inspired by the ideas of Karl Schlögel, Geschichtswerkstatt Europa provides the opportunity to reconsider Europe as a space and to reconstruct it intellectually. Excursions and site visits are therefore a vital element of many projects.
The terms lieux de mémoire or sites of memory/remembrace (Erinnerungsorten) developed by Hagen Schulze, Etienne François and others after Pierre Nora, conceptualise memory/remembrance as an identity-forming process with a spatial dimension. The projects of Geschichtswerkstatt Europa look for these ‚points of crystallisation’ in European cultural landscapes which offer the greatest potential for collective identity creation across the generations.
[parentJumpTo] => 0 [parentLink] => View the item details [parentUrl] => project-details/items/Jewish_Identity_in_Socialist_Yugoslavia.html ) ) ) [alias] => Array ( [label] => Alias zur Generierung der URL, international [type] => alias [raw] => Jewish_Identity_in_Socialist_Yugoslavia [value] => Jewish_Identity_in_Socialist_Yugoslavia ) [members] => Array ( [label] => Mitglieder des Projektteams [type] => tags [raw] => 523,524,580,603,541 [value] => Madžar, Obrenić, Papo, Samuels, Tepavčević [ref] => Array ( [0] => Array ( [id] => 523 [tstamp] => 1366721673 [firstname] => Vedrana [lastname] => Madžar [dateOfBirth] => [gender] => [company] => [street] => [postal] => [city] => [state] => [country] => [phone] => [mobile] => [fax] => [email] => vedranamadzar@gmail.com [website] => [language] => [groups] => a:2:{i:0;s:1:"6";i:1;s:1:"1";} [login] => 1 [username] => vedrana.madzar [password] => 473836af1cd55ea8b4abb7eac7796770a4f19671:bfe666bda37d2756c2980e4 [assignDir] => [homeDir] => [disable] => [start] => [stop] => [loginCount] => 3 [locked] => 0 [session] => a:1:{s:7:"referer";a:2:{s:4:"last";s:53:"/enclosure-details/items/ausstellungskatalog.338.html";s:7:"current";s:67:"/project-details/items/Jewish_Identity_in_Socialist_Yugoslavia.html";}} [allowEmail] => email_member [publicFields] => a:8:{i:0;s:9:"firstname";i:1;s:8:"lastname";i:2;s:6:"avatar";i:3;s:5:"title";i:4;s:14:"description_de";i:5;s:14:"description_en";i:6;s:15:"publications_de";i:7;s:15:"publications_en";} [newsletter] => a:1:{i:0;s:0:"";} [activation] => [title] => [description_de] => Vedrana Madžar (1982, Knin, SFRJ) graduated from the University of Arts, Faculty of Dramatic Arts in Belgrade, at the Film and TV department. She has worked as a copy- and screenwriter, director and producer for advertising agencies, production houses and a two TV stations. She was a co-founder of the creative studio artACTians, and a correspondent editor of Creative’s People Network. She publishes texts about Yugoslav partisan film and culture and is interested in film representations of Second World War, politics of documentary and fiction film, partisan interventionist cinema, narratives of Jewish erasure, Holocaust cinematic culture and the aesthetics of ideology. She currently lives in Berlin, where she studies at the University of Arts, and works as a curator and filmmaker. [description_en] => Vedrana Madžar (1982, Knin, SFRJ) graduated from the University of Arts, Faculty of Dramatic Arts in Belgrade, at the Film and TV department. She has worked as a copy- and screenwriter, director and producer for advertising agencies, production houses and a two TV stations. She was a co-founder of the creative studio artACTians, and a correspondent editor of Creative’s People Network. She publishes texts about Yugoslav partisan film and culture and is interested in film representations of Second World War, politics of documentary and fiction film, partisan interventionist cinema, narratives of Jewish erasure, Holocaust cinematic culture and the aesthetics of ideology. She currently lives in Berlin, where she studies at the University of Arts, and works as a curator and filmmaker. [officehours] => [room] => [building] => [department] => [joined] => [address2] => [resigned] => [groupselection] => 0 [agreement] => [publications_de] => [publications_en] => [member_pages] => [avatar] => media/avatars/member_523.jpg [description] => [workscope] => ) [1] => Array ( [id] => 524 [tstamp] => 1367245418 [firstname] => Zorka [lastname] => Obrenić [dateOfBirth] => [gender] => [company] => [street] => [postal] => [city] => [state] => [country] => [phone] => [mobile] => [fax] => [email] => zoedrama@gmail.com [website] => [language] => [groups] => a:2:{i:0;s:1:"6";i:1;s:1:"1";} [login] => 1 [username] => zorka.obrenic [password] => 43e2af9233feeb7f3f04bdae1ecf9a9d93eb6174:48bf34c5944fbef22c1520f [assignDir] => [homeDir] => [disable] => [start] => [stop] => [loginCount] => 3 [locked] => 0 [session] => a:1:{s:7:"referer";a:2:{s:4:"last";s:1:"/";s:7:"current";s:39:"/blog-beitrag-schreiben-bearbeiten.html";}} [allowEmail] => email_member [publicFields] => a:8:{i:0;s:9:"firstname";i:1;s:8:"lastname";i:2;s:6:"avatar";i:3;s:5:"title";i:4;s:14:"description_de";i:5;s:14:"description_en";i:6;s:15:"publications_de";i:7;s:15:"publications_en";} [newsletter] => a:1:{i:0;s:0:"";} [activation] => [title] => [description_de] => Zorka Obrenić (1983) is currently finishing her studies of dramaturgy at the Faculty of Dramatic Arts and works as a writer and copywriter. She wrote screenplays for several short films and TV shows, and published articles and essays on film in TFT and other magazines. She is interested in topics related to identity in the context of migrations and multicultural environment, in visual anthropology in terms of docufiction, as well as in the fiction film as a possible ethnographic source and the field of anthropological reflection. She’s recently attended the course Culture and Art in Socialist Yugoslavia (New Academy of Art, Museum of Contemporary Art, Belgrade) which helped her in her personal endeavors to rethink dichotomy between anti-communist and nostalgic approaches to Yugoslav socialist past. [description_en] => Zorka Obrenić (1983) is currently finishing her studies of dramaturgy at the Faculty of Dramatic Arts and works as a writer and copywriter. She wrote screenplays for several short films and TV shows, and published articles and essays on film in TFT and other magazines. She is interested in topics related to identity in the context of migrations and multicultural environment, in visual anthropology in terms of docufiction, as well as in the fiction film as a possible ethnographic source and the field of anthropological reflection. She’s recently attended the course Culture and Art in Socialist Yugoslavia (New Academy of Art, Museum of Contemporary Art, Belgrade) which helped her in her personal endeavors to rethink dichotomy between anti-communist and nostalgic approaches to Yugoslav socialist past. [officehours] => [room] => [building] => [department] => [joined] => [address2] => [resigned] => [groupselection] => 0 [agreement] => [publications_de] => [publications_en] => [member_pages] => a:1:{i:0;i:178;} [avatar] => media/avatars/member_524.jpeg [description] => [workscope] => ) [2] => Array ( [id] => 580 [tstamp] => 1341866736 [firstname] => Lili [lastname] => Papo [dateOfBirth] => [gender] => [company] => [street] => [postal] => [city] => [state] => [country] => [phone] => [mobile] => [fax] => [email] => vakizasi2003@yahoo.com [website] => [language] => [groups] => a:2:{i:0;s:1:"6";i:1;s:1:"1";} [login] => 1 [username] => lili.papo [password] => a4e976a6ada8158d07a94d47fb4255ce65cfcedf:e46afb2cba044d8e3a7ddc4 [assignDir] => [homeDir] => [disable] => [start] => [stop] => [loginCount] => 3 [locked] => 0 [session] => a:1:{s:7:"referer";a:2:{s:4:"last";s:1:"/";s:7:"current";s:26:"/edit-project-details.html";}} [allowEmail] => email_member [publicFields] => a:8:{i:0;s:9:"firstname";i:1;s:8:"lastname";i:2;s:6:"avatar";i:3;s:5:"title";i:4;s:14:"description_de";i:5;s:14:"description_en";i:6;s:15:"publications_de";i:7;s:15:"publications_en";} [newsletter] => a:1:{i:0;s:0:"";} [activation] => [title] => [description_de] => Lili Papo was born in Sarajevo (Bosnia), lived in Split (Croatia), but most of her life she spend in Belgrade (Serbia) where she graduated from the Faculty of Law. She emigrated to Israel, where she works for the Association of Jewish immigrants from Yugoslavia - Hitahdut Olej Jugoslavija. She is deeply interested in the topics related to the history of the emergence of revolutionary Yugoslavia and Yugoslav Jewry, and she regularly publishes texts in journal Most. She lives in Tel Aviv. [description_en] => Lili Papo was born in Sarajevo (Bosnia), lived in Split (Croatia), but most of her life she spend in Belgrade (Serbia) where she graduated from the Faculty of Law. She emigrated to Israel, where she works for the Association of Jewish immigrants from Yugoslavia - Hitahdut Olej Jugoslavija. She is deeply interested in the topics related to the history of the emergence of revolutionary Yugoslavia and Yugoslav Jewry, and she regularly publishes texts in journal Most. She lives in Tel Aviv. [officehours] => [room] => [building] => [department] => [joined] => [address2] => [resigned] => [groupselection] => 0 [agreement] => [publications_de] => [publications_en] => [member_pages] => a:1:{i:0;i:181;} [avatar] => media/avatars/member_580.jpg [description] => [workscope] => ) [3] => Array ( [id] => 603 [tstamp] => 1367245474 [firstname] => Tsameret [lastname] => Samuels [dateOfBirth] => [gender] => [company] => [street] => [postal] => [city] => [state] => [country] => [phone] => [mobile] => [fax] => [email] => littke@geschichtswerkstatt-europa.org [website] => [language] => [groups] => a:2:{i:0;s:1:"6";i:1;s:1:"1";} [login] => [username] => [password] => [assignDir] => [homeDir] => [disable] => [start] => [stop] => [loginCount] => 3 [locked] => 0 [session] => [allowEmail] => email_member [publicFields] => a:8:{i:0;s:9:"firstname";i:1;s:8:"lastname";i:2;s:6:"avatar";i:3;s:5:"title";i:4;s:14:"description_de";i:5;s:14:"description_en";i:6;s:15:"publications_de";i:7;s:15:"publications_en";} [newsletter] => a:1:{i:0;s:0:"";} [activation] => [title] => [description_de] => Tsameret Samuels (1982) graduated of English Language and Literature, Haifa University (2006), and of Communication and Journalism (2005). She has worked as a journalist and as a researcher, possesses a two year experience in Media content processing: second to the head of content-censorship department in channel 2 (2003-2005). She also worked as a manager in DCFU, exclusive partner of Heidelberger Druckmaschinen, where she specialized in mediation and negotiation (2006-2008). [description_en] => Tsameret Samuels (1982) graduated of English Language and Literature, Haifa University (2006), and of Communication and Journalism (2005). She has worked as a journalist and as a researcher, possesses a two year experience in Media content processing: second to the head of content-censorship department in channel 2 (2003-2005). She also worked as a manager in DCFU, exclusive partner of Heidelberger Druckmaschinen, where she specialized in mediation and negotiation (2006-2008). [officehours] => [room] => [building] => [department] => [joined] => [address2] => [resigned] => [groupselection] => 0 [agreement] => [publications_de] => [publications_en] => [member_pages] => [avatar] => media/avatars/member_603.jpg [description] => [workscope] => ) [4] => Array ( [id] => 541 [tstamp] => 1367242938 [firstname] => Nataša [lastname] => Tepavčević [dateOfBirth] => [gender] => [company] => [street] => [postal] => [city] => [state] => [country] => [phone] => [mobile] => [fax] => [email] => tepavcevic.natasa@gmail.com [website] => [language] => [groups] => a:2:{i:0;s:1:"6";i:1;s:1:"1";} [login] => 1 [username] => natasa.tepavcevic [password] => acf1640833a3ccc272105183493036797a0edb0e:ca6264154e12a6086ce8312 [assignDir] => [homeDir] => [disable] => [start] => [stop] => [loginCount] => 1 [locked] => 0 [session] => a:1:{s:7:"referer";a:2:{s:4:"last";s:10:"/index.php";s:7:"current";s:14:"/homepage.html";}} [allowEmail] => email_member [publicFields] => a:8:{i:0;s:9:"firstname";i:1;s:8:"lastname";i:2;s:6:"avatar";i:3;s:5:"title";i:4;s:14:"description_de";i:5;s:14:"description_en";i:6;s:15:"publications_de";i:7;s:15:"publications_en";} [newsletter] => a:1:{i:0;s:0:"";} [activation] => [title] => [description_de] => (1982, Belgrade, SFRJ), visual multimedia artist and curator, graduated from the Univerity of Arts, Faculty of Fine Art in Belgrade in 2008. She has published theoretical texts, critiques and interviews on culture, performing and visual arts in journals and collections in Serbia, Germany and USA (Serbia Today, Art Fama, Danas, Teatron, Scena, Mašta, Collection of Methodological Examples etc.). She is the author of various projects and artworks in public space that are dealing with the issues of identity politics in the EU integration process and the production of knowledge. She is the publisher and co-author of the fanzine Knowledge Distribution and author of an art-book Under Construction. In 2011 she was the curator of the video program in Kino Arsenal within the exhibition Spaceship Yugoslavia and collaborated on the short movie Inventur – Morusstrasse 22. Currently, she studies at the Institute Art in Context, University of Arts Berlin. [description_en] => (1982, Belgrade, SFRJ), visual multimedia artist and curator, graduated from the Univerity of Arts, Faculty of Fine Art in Belgrade in 2008. She has published theoretical texts, critiques and interviews on culture, performing and visual arts in journals and collections in Serbia, Germany and USA (Serbia Today, Art Fama, Danas, Teatron, Scena, Mašta, Collection of Methodological Examples etc.). She is the author of various projects and artworks in public space that are dealing with the issues of identity politics in the EU integration process and the production of knowledge. She is the publisher and co-author of the fanzine Knowledge Distribution and author of an art-book Under Construction. In 2011 she was the curator of the video program in Kino Arsenal within the exhibition Spaceship Yugoslavia and collaborated on the short movie Inventur – Morusstrasse 22. Currently, she studies at the Institute Art in Context, University of Arts Berlin. [officehours] => [room] => [building] => [department] => [joined] => [address2] => [resigned] => [groupselection] => 0 [agreement] => [publications_de] => [publications_en] => [member_pages] => [avatar] => media/avatars/member_541.jpeg [description] => [workscope] => ) ) ) [tender] => Array ( [label] => Ausschreibung des Projekts [type] => select [raw] => 6 [value] => KRIEG, NACHKRIEG, KALTER KRIEG [ref] => Array ( [1] => Array ( [id] => 6 [pid] => 9 [sorting] => 32 [tstamp] => 1333529680 [title_de] => KRIEG, NACHKRIEG, KALTER KRIEG [alias] => krieg-nachkrieg-kalter-krieg [description_de] =>
ERINNERUNGEN AN DEN ZWEITEN WELTKRIEG IM ZEICHEN DES NEUANFANGS (1945 BIS 1960)
Der Zweite Weltkrieg und der aus ihm hervorgehende Kalte Krieg führten zu einer nachhaltigen Spaltung Europas. Diese zeigt sich bis heute in den stark unterschiedlichen Erinnerungskulturen der europäischen Gesellschaften. Die Geschichtswerkstatt Europa 2012 fördert Projekte die das Nachwirken des Zweiten Weltkriegs in den europäischen Gesellschaften in den ersten 15 Jahren nach Kriegsende untersuchen. Die internationalen Projekte sollen damit einen Beitrag zum Verständnis der Formierungsphase europäischer Erinnerungskulturen leisten.
Die Projekte sollen auf einem von drei Themenfeldern angesiedelt sein, die den Umgang mit den Erinnerungen an die Kriegszeit in der Nachkriegszeit besonders prägen: Rückkehr, Transfer und Geschichtspolitik.
REMEMBRANCES OF WORLD WAR II AND THE NEW BEGINNING OF THE POST-WAR YEARS (1945–1960)
The Second World War and subsequently the Cold War led Europe into a state of enduring division. Evidence of this can be seen today in the greatly differing cultures of memory and remembrance in European societies. In the programme year 2012, Geschichtswerkstatt Europa funds projects that examine the after effects of the Second World War on European societies in the first 15 post-war years. These international projects should make a contribution to our understanding of the formative years of European cultures of remembrance.
The projects should consider one of three topic areas – each of which particularly highlights the different practises of remembrance of the war in the post war years: going back, exchange and the politics of history.
[preview] => [archive] => [parentJumpTo] => 0 [parentLink] => View the item details [parentUrl] => project-details/items/Jewish_Identity_in_Socialist_Yugoslavia.html ) ) ) [pdf] => Array ( [label] => Methodenpapier [type] => file [raw] => media/projekte/Methodenpapier/MP_jewish_identity.pdf [value] => [files] => Array ( [0] => media/projekte/Methodenpapier/MP_jewish_identity.pdf ) [meta] => Array ( ) ) [blog] => Array ( [label] => Archiv des Blogs [type] => select [raw] => 106 [value] => The Art of Remembering: Jewish Post-Holocaust Identity and Yugoslavian Socialism 1945-1960 [ref] => Array ( [0] => Array ( [id] => 106 [tstamp] => 1326204201 [title] => The Art of Remembering: Jewish Post-Holocaust Identity and Yugoslavian Socialism 1945-1960 [jumpTo] => 0 [allowComments] => [notify] => notify_admin [template] => com_default [sortOrder] => ascending [perPage] => 0 [moderate] => [bbcode] => [requireLogin] => [disableCaptcha] => [protected] => [groups] => [makeFeed] => [format] => rss [language] => [source] => source_teaser [maxItems] => 25 [feedBase] => http://www.geschichtswerkstatt-europa.org/ [alias] => [description] => [dw_keywords] => [dw_description] => ) ) ) [title_de] => Array ( [label] => Name des Projekts, deutsch [type] => text [raw] => Die Kunst zu erinnern: Jüdische Identität im sozialistischen Jugoslawien 1945-1952 [value] => Die Kunst zu erinnern: Jüdische Identität im sozialistischen Jugoslawien 1945-1952 ) [title_en] => Array ( [label] => Name des Projekts, englisch [type] => text [raw] => The Art of Remembering: Jewish Identity in Socialist Yugoslavia 1945-1952 [value] => The Art of Remembering: Jewish Identity in Socialist Yugoslavia 1945-1952 ) [description_de] => Array ( [label] => Beschreibung des Projektes, deutsch [type] => longtext [raw] =>
Unser Projekt behandelt die Frage jüdischer Identität im sozialistischen Jugoslawien in den frühen Nachkriegsjahren. Nur 20% der jüdischen Gemeinde Jugoslawiens überlebte den Zweiten Weltkrieg. Etwa die Hälfte dieser Überlebenden machten nach 1948 Alija. Dadurch wurden die Juden eine winzige Minderheit im multinationalen Staat Jugoslawien. Dort wurde bereits in den späten 1940er- und frühen 1950er-Jahren die Opferrolle der Juden im Zweiten Weltkrieg stark betont, während beim Rest der Welt der Holocaust eher eine Marginalie in den sozialen Debatten blieb (bis zum Eichmann-Prozess in Jerusalem 1961). Diese frühe Gedenkkultur zur besonderen Ehrung der jüdischen Opfer und der Juden, die gegen den Faschismus gekämpft hatten, ist sehr interessant. Denn zu den fundamentalsten Forderungen jugoslawischer Ideologie gehört es, ethnischen Partikularismus zu vermeiden und eine supranationale jugoslawische Identität vorzuziehen. Unser Projekt wird Ausprägungen, Formen, die Natur und den Charakter dieser Gedenkkultur aufzeigen. Es wird untersuchen, wie jüdische Identität innerhalb des multinationalen Staates in den frühen Nachkriegsjahren (re-)konstruiert wurde und welchen Platz dies in den konstituierenden Narrativen eines neuen Staates einnahm.
[value] =>
Unser Projekt behandelt die Frage jüdischer Identität im sozialistischen Jugoslawien in den frühen Nachkriegsjahren. Nur 20% der jüdischen Gemeinde Jugoslawiens überlebte den Zweiten Weltkrieg. Etwa die Hälfte dieser Überlebenden machten nach 1948 Alija. Dadurch wurden die Juden eine winzige Minderheit im multinationalen Staat Jugoslawien. Dort wurde bereits in den späten 1940er- und frühen 1950er-Jahren die Opferrolle der Juden im Zweiten Weltkrieg stark betont, während beim Rest der Welt der Holocaust eher eine Marginalie in den sozialen Debatten blieb (bis zum Eichmann-Prozess in Jerusalem 1961). Diese frühe Gedenkkultur zur besonderen Ehrung der jüdischen Opfer und der Juden, die gegen den Faschismus gekämpft hatten, ist sehr interessant. Denn zu den fundamentalsten Forderungen jugoslawischer Ideologie gehört es, ethnischen Partikularismus zu vermeiden und eine supranationale jugoslawische Identität vorzuziehen. Unser Projekt wird Ausprägungen, Formen, die Natur und den Charakter dieser Gedenkkultur aufzeigen. Es wird untersuchen, wie jüdische Identität innerhalb des multinationalen Staates in den frühen Nachkriegsjahren (re-)konstruiert wurde und welchen Platz dies in den konstituierenden Narrativen eines neuen Staates einnahm.
) [description_en] => Array ( [label] => Beschreibung des Projektes, englisch [type] => longtext [raw] =>
Our project is dealing with the question of Jewish identity in socialist Yugoslavia in the early post-war years. Only 20 percent of the Jewish community in Yugoslavia survived World War II. Roughly half of these survivors made aliyah to Israel after 1948. Thus, Jews had become just a tiny minority within a multi-national socialist state. In Yugoslavia, as early as in the late 1940’s and early 1950’s the victimhood of Jewish people during World War II was strongly emphasised, while for the rest of the world the Holocaust remained on the margins of social debate (until the Adolf Eichmann trial in Jerusalem in 1961). This early culture of commemoration to specifically honour Jewish victims and the Jewish fight against fascism is very interesting because the fundamental postulates of Yugoslav socialist ideology, in principle, shunned ethnic particularism and preferred supranational Yugoslav identity. Our project will research shapes, forms, nature and character of this culture of commemoration. It will explore how Jewish identity was (re)built within a multi-national socialist state in the early post-Second World War years, and its place in the constitutive narratives of the new state.
[value] =>
Our project is dealing with the question of Jewish identity in socialist Yugoslavia in the early post-war years. Only 20 percent of the Jewish community in Yugoslavia survived World War II. Roughly half of these survivors made aliyah to Israel after 1948. Thus, Jews had become just a tiny minority within a multi-national socialist state. In Yugoslavia, as early as in the late 1940’s and early 1950’s the victimhood of Jewish people during World War II was strongly emphasised, while for the rest of the world the Holocaust remained on the margins of social debate (until the Adolf Eichmann trial in Jerusalem in 1961). This early culture of commemoration to specifically honour Jewish victims and the Jewish fight against fascism is very interesting because the fundamental postulates of Yugoslav socialist ideology, in principle, shunned ethnic particularism and preferred supranational Yugoslav identity. Our project will research shapes, forms, nature and character of this culture of commemoration. It will explore how Jewish identity was (re)built within a multi-national socialist state in the early post-Second World War years, and its place in the constitutive narratives of the new state.
) [custom_title_de] => Array ( [label] => optionaler Title (deutsch) [type] => text [raw] => jüdische Identität im sozialistischen Jugoslawien [value] => jüdische Identität im sozialistischen Jugoslawien ) [custom_title_en] => Array ( [label] => optionaler Title (englisch) [type] => text [raw] => Jewish Identity in Socialist Yugoslavia [value] => Jewish Identity in Socialist Yugoslavia ) [mentors] => Array ( [label] => Mentoren [type] => tags [raw] => [value] => ) ) ) ) )
The Art of Remembering: Jewish Identity in Socialist Yugoslavia 1945-1952
Our project is dealing with the question of Jewish identity in socialist Yugoslavia in the early post-war years. Only 20 percent of the Jewish community in Yugoslavia survived World War II. Roughly half of these survivors made aliyah to Israel after 1948. Thus, Jews had become just a tiny minority within a multi-national socialist state. In Yugoslavia, as early as in the late 1940’s and early 1950’s the victimhood of Jewish people during World War II was strongly emphasised, while for the rest of the world the Holocaust remained on the margins of social debate (until the Adolf Eichmann trial in Jerusalem in 1961). This early culture of commemoration to specifically honour Jewish victims and the Jewish fight against fascism is very interesting because the fundamental postulates of Yugoslav socialist ideology, in principle, shunned ethnic particularism and preferred supranational Yugoslav identity. Our project will research shapes, forms, nature and character of this culture of commemoration. It will explore how Jewish identity was (re)built within a multi-national socialist state in the early post-Second World War years, and its place in the constitutive narratives of the new state.
download method paper
Topics
Methods
Project team
In Cooperation With:
